STOCKHOLM 3RD DREAM NIGHT 07.06.2009 CC936-938

Bootleg della Cristal Cat del terzo ed ultimo concerto di Springsteen a Stoccolma durante il tour di Working on a Dream.

I dettagli:

Bruce Springsteen & The E Street Band
7 June 2009 Stockholm Third Dream Nignt CC936-937-938
Stockholm Stadion / Stockholm, SWE

CD1
Idas Sommarvisa (Nils solo)
No Surrender
Badlands
Night
My Lucky Day
Outlaw Pete
Spirit in the Night
Working on a Dream
Seeds
Johnny 99

CD2
The River
Drums:Bruce collecting signs
Mony Mony
Trapped
Fade Away
Surprise Surprise
Waitin’ on a Sunny Day
The Promised Land
Working on the Highway
Radio Nowhere
Lonesome Day
The Rising
Born to Run

CD3
Intro
Thunder Road
Jungleland
Land of Hope and Dreams
American Land
Ramrod
Dancing in the Dark
Twist and Shout

Double Shot (Of My Babys Love) 16/09/09 Bi-Lo Center / Greenville, SC
Da Doo Ron Ron 20/09/09 United Center / Chicago, IL
Rockin Robin 20/09/09 United Center / Chicago, IL
Roll Over Beethoven 25/10/09 Scottrade Center / St. Louis, MO

Al solito ottime bonus track.

THE LIGHT IN THE DARKNESS

Qualcuno ha letto questo libro?  Le foto mi sembrano molto belle.

Bruce Springsteen’s Darkness on the Edge of Town broke new ground for The Boss in 1978. A counterpoint to the operatic elegance of Born to Run, the album was an angry, raw record that burst forth after a three-year hiatus.
Because of its darker tones, some might call Darkness a difficult album, but despite this, it’s a cherished gem for many.
Collecting stories and photos from hundreds of fans, The Light in Darkness celebrates this classic record, allowing readers to revisit the excitement of that moment when the needle found the grooves in that first cut and the thundering power of “Badlands” shook across the hi-fi for the very first time. Or the uninitiated, but soon-to-be-converted teenager, brought along by friends and finding salvation at one of the legendary three-plus hour concerts – shows that embodied all the manic fury of a revival meeting.
The book is also for those more recent converts to The Boss who may have stumbled across a dusty bootleg in a used record store – discovering the magic of the Agora or the Winterland shows.
Finally, The Light in Darkness is for those who never gave Bruce’s fourth album much consideration; those more partial to the high-polished sounds of Born to Run or the stadium-rousing choruses of Born in the U.S.A. For the skeptics, just read the tales of those who struggle with the dark and trembling frustration of “Something in the Night,” the open-road emptiness of “Racing in the Street,” and the too-faraway hope of “The Promised Land.” A troubling album indeed. But the passion, the connection, the thrill of the fans as they explore this classic record will make a convert of anyone.
The Three-Year Wait
It was a long wait. From the time Born to Run came out until the release of Darkness on the Edge of Town, fans had to suffer through a three-year hiatus, a lifetime for a musician to be off the radar back then.
And in the days before the Internet and MTV, Bruce’s devotees often had no idea what was taking him so long, and little means to find out. They resorted to scouring the pages of Rolling Stone and Creem magazines for any mention of Springsteen, any hint or clue about when the new record would be released. And when that produced no results, they turned to prayer.
We all know now that legal wrangling with his first manager, Mike Appel, kept a new record off the shelves for those three years. When Bruce finally came out victorious and replaced Appel with music writer Jon Landau, the stage was set for the next record to be released. But few would anticipate the frustration that had built up during those years, anger that Springsteen would channel into the new album.
The Light in Darkness shares the stories of fans coming to grips with this new record and this very different sound from The Boss, finding that Bruce’s struggles and frustrations often mirrored their own battles in life. A frayed relationship with a father, a body made sore with factory work, or the suffocating fear of being trapped in the badlands, fans have lived the stories Bruce tells on Darkness – the album is part of their history, a history they share in this book.
Springsteen Live 1978
From the Palladium in New York to Detroit’s Cobo Hall, from the famed Winterland to the year’s final show at Cleveland’s Richfield Coliseum, Springsteen’s 1978 tour is legendary.
Bruce, who was already famous for his incredible shows, pioneered a whole new kind of concert experience on this tour. Just the audience, Bruce and the E Street Band for a marathon three-plus hours, with an intermission in the middle just long enough to let the audience catch their breath. The Light in Darkness brings these shows to life through the testimony of those who were there, concerts that can still be heard through the magic of bootlegging. The stories fans tell from those electrifying 1978 shows only increases the power of hearing these coveted, semi-legal tapes still circulating today.
The Darkness tour also marked the last time many would get to see The Boss in small concert halls, as Bruce’s exploding popularity forced him to trade up to hockey arenas during several stops on the tour. Stadiums would soon follow. Today, many fans lucky enough to have attended the Darkness tour are glad they did whatever it took to land a ticket, a memory they can still cherish as they now watch Bruce from the nosebleeds.
Over 200 Photos
The Light in Darkness features stunning photography from the Darkness tour. With over 200 photos taken by dozens of photographers, many of them never before published, this is a book you’ll come back to time and time again.
Many notable Springsteen-era photographers contributed to the volume, including:

  • James Shive
  • P. Jay Plutzer
  • Lynn Goldsmith
  • Peter Howes
  • Anastasia Pantsios
  • Mark Wyville
  • Cliff Breining
  • Lawrence Kirsch

About the book: Limited Collector’s Edition
This 208 page, large format, 9.25” x 12” full-color book is printed on Premium Gloss 200m paper stock and contains more than 200 photographs reproduced from the original negatives and slides. The book is only available online for purchase at: www.thelightindarkness.com

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ROCK ‘n ROLL HALL OF FAME 25th – 29.10.2009

Spettacolare DVD bootleg del concerto di Springsteen e la E-street band al Madison Square Garden di New York per i 25 anni della Rock & Roll Hall of Fame.

Notevoli gli ospiti fra cui Sam Moore, Tom Morello e John Fogerty.

La scaletta:

10th Avenue Freeze Out
Hold On (With Same Moore)
Soul Man (with Same Moore)
The Ghost of Tom Joad (with Tom Morello)
Fortunate Son (with John Fogerty)
Proud Mary (with John Fogerty)
Pretty Woman (with John Fogerty)
Jungleland
Fine Fine Boy (with Darlene Love)
Do Run Run Run (with Darlene Love)
London Calling (with Tom Morello)
Badlands
You May Be Right (with Billy Joel)
Only the Good Die Young (with Billy Joel)
New York State of Mind (with Billy Joel)
Born to Run (with Billy Joel)
Higher & Higher (all of the above and Jackson Browne & Peter Wolfe)

Se qualcuno degli abbonati alla ricezione dei post per email è interessato ad una copia lasci pure un commento qua sotto.

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WALK TALL OR DON’T WALK AT ALL

Articolo del 1974 quello di quest’oggi scritto da Dave Marsh il biografo ufficiale di Springsteen.

“Walk tall or don’t walk at all”
By Dave Marsh

I’ve seen Bruce Springsteen twice in the last few months. He is better than anything
on the radio, and he has a new single, “Born To Run,” which, if we are at all fortunate,
will be played across the land by now. Given the current paucity of interesting subject
matter, he’s the subject of this column.
When I first saw him, last April in Boston, it was in a sweaty little bar in Harvard
Square, packed to the walls with street kids and college students, rock writers and
general hangers-on, drunks and know-it-alls. I expected nothing; I got everything.
When I saw him again at the Bottom Line in New York, I expected everything, and he
didn’t let me down. Springsteen is the perfect AM performer. His sangs don’t have all
the obvious hooks that wear out after you’ve heard them for a couple of weeks.
Instead, they grow on you, and soon, you’re fascinated not only by the Latin-inflected
soul and rock he’s playing, not only by Clarence Clemons’s magic saxophone, not only
by Springsteen’s voice—which embodies the mystique of James Dean and (yes) Bob
Dylan—but by the tales he’s telling, and the characters he creates.
There is a passion here, for the mythical girl friend, Puerto Rican Jane (known in
Springsteen’s greatest songs as Rosalita), and for everyone else who pops up: the fishwife
in “New York City Serenade” is enough to make you weep.
The magic of Springsteen harks back to a tradition at least as old as “Jailhouse Rock,”
and “Maybelline.” What you discover in the hundredth listening is not only music that
compels you to listen that often, but a tale that deserves telling. It’s not so far
different from trash epics like the cannibalistic “Timothy,” or even a nice little
suicide saga like “Without You.” But Springsteen does it every time out; if he cleans
up his production, there is no reason why the key line of “Born To Run”—”Tramps
like us, we were born to run”—won’t become the rallying cry of the decade.
But “Born To Run” is not Springsteen’s greatest song. His best is “Rosalita,” the tale of
a love affair at least the equal of Romeo and Juliet’s, or Catherine the Great and
Secretariat’s. It begins with a guitar and saxophone swoop into utter ecstasy that I’m
listening to as compulsively as ever I did to the song closest to its music, Van
Morrison’s “Wild Night.”
Bruce loves Rosie, but Rosie’s parents don’t love him; he’s nothing but rock ‘n’ roll
trash as far as they’re concerned. “Now I know your mama don’t like me ’cause I play
in a rock ‘n’ roll band, and I know your daddy don’t like me, but he never did
understand…And your papa says he knows I don’t have any money,” he taunts,
mocking eternal parental misgivings, just the way Chuck Berry did in “You Never Can
Tell.” But Springsteen has it in him to make the story even more magical, certainly
more contemporary. “Tell your daddy this is his last chance,” he exclaims, pulling his
best lines from nowhere, “To get his daughter in a fine romance. ‘Cause the record
company, osie, just gave me a big advance.” And proceeds to crack up his car in a
Jersey swamp.
There’s no tale anywhere in rock. at the moment and certainly nothing on the radio
today, which can come close to matching it. There’s hardly a performer anywhere
who can make you so joyous when he comes out with the gestures that belong to a
movie star and the voice that belongs to an amalgam of Wilson Pickett and Morrison.
“This is music,” a friend of mine said at the Bottom Line, “that can make you care
again.”
Which is what I want to do, and what Springsteen offers that no one else does. Elliott
Murphy and the Dolls, as much as I love them, are doomsayers; Springsteen just
comes out and acts like nothing’s changed, or if it has, he doesn’t care very much,
anyway. Wouldn’t it be a pleasure to hear this stuff on the highway? Might up the
accident rate, of course, but then, that is what the best music has always done: it is a
little like drowning. If your entire life does not flash before your eyes, all the best
parts of it do, or all the most special ones.
And whether Springsteen is joking about being “Born To Lose,” which he wasn’t, or
celebrating Manhattan in “New York City Serenade,” with a passion that can bring
tears to your eyes, or blasting onto the stage with “Then I Kissed Her,” or doing his “E
Street Shuffle,” those moments are so special, you know that next time they’ll be part
of the drowning experiences that total immersion in great music brings.
“Walk tall,” he demands, “or don’t walk at all.” Springsteen struts, because he knows,
as if he were 6’6″ instead of as short as me, that he’s as big as anybody who ever took
a stage. I’d trade everything else I’ve heard this year for the evenings I spent with him.
He has everything, the past, the present and the future. For once in your life, do
touch that dial— Springsteen will touch you back. And when you’re rockin’ your
baby, that’s just what you need, just like it is when there ain’t no baby to rock. The
music on the radio is like Springsteen’s “Spirit In The Night,” and you grab that spirit
every chance you get. This is the best chance of all.
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DREAM WHATEVER YOU WANT – VOL 2

Secondo volume della raccolta Dream Whatever You Want. Ovviamente il bootleg è dedicato a The Wild, the Innocent & the E Street Shuffle.

Essendo spezzoni la qualità audio e video varia da canzone a canzone.


1- E Street Shuffle – 20/11/2009
1st Mariner Arena, Baltimore, MD
2- 4th July Asbury Park (Sandy) – 08/10/2009
Giants Stadium, East Rutherford, NJ
3- Kitty’s Back P J 29/04/2009
The Spectrum, Philadelphia, PA
4- Wild Billy’s Circus Story P 07/11/2009
Madison Square Garden, New York City
5- Incident on 57th Street P 23/05/2009
Izod Center, East Rutherford, NJ
6- Gonna Fly Now P 19/10/2009
The Spectrum, Philadelphia, PA
7- Rosalita (Come Out Tonight) (w/Curt Ramm) – 19/10/2009
The Spectrum, Philadelphia, PA
8- New York City Serenade P 07/11/2009
Madison Square Garden, New York City

BONUS

9- Kitty’s Back – 23/05/2009
Izod Center, East Rutherford, NJ
10- Rosalita (Come Out Tonight) – J 21/05/2009
Izod Center, East Rutherford, NJ
11- Thundercrack P 29/04/2009
The Spectrum, Philadelphia, PA
12- Seaside Bar Song P 13/10/2009
The Spectrum, Philadelphia, PA 

Qualche esempio lo potete trovare qui e qui.


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STOCKHOLM 2nd DREAM NIGHT 05.06.2009 CC 933-935

Seconda serata nella gelida Stoccolma per Bruce Springsteen e la E-street e nostra seconda tappa del tour di Working on a dream.

Il bootleg della prima serata lo potete trovare qui , mentre qui potete trovare il racconto di Larry sulla nostra trasferta.

La scaletta:

Bruce Springsteen & The E Street Band
5 June 2009 Stockholm Second Dream Nignt CC933-934-935
Stockholm Stadion / Stockholm, SWE

Idas Sommarvisa (Nils solo)
Downbound Train
Badlands
My Lucky Day
Candy’s Room
Outlaw Pete
Darlington County
Working on a Dream
Seeds
Johnny 99
Youngstown
Good Lovin’
Hungry Heart
Growin’ Up
Thunder Road
Queen of the Supermarket
Waitin’ on a Sunny Day
The Promised Land
Lost in the Flood
Radio Nowhere
Lonesome Day
The Rising
Born to Run
* * *
Hard Times
Tenth Avenue Freeze-out
Land of Hope and Dreams
American Land
Glory Days
Detroit Medley/Land of 1000 Dances
Dancing in the Dark

I bonus del terzo cd:

Mountain of Love     – August 19 / Comcast Theatre / Hartford, CT
Sh La La             – August 19 / Comcast Theatre / Hartford, CT
All or Nothing At all- September 12 / Ford Amphitheatre / Tampa, FL
Jole Blon            – September 12 / Ford Amphitheatre / Tampa, FL
So Young and in Love – November 3 / Time Warner Arena / Charlotte, NC
Then She Kissed Me   – September 13 / Bank Atlantic Center / Ft. Lauderdale, FL

Venerdi prossimo il bootleg della terza serata.